ISSN 2158-5296

Analytical Approaches to World Musics

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  • Volume 12

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    Author Title Issue Year
    Abrahams, Rosa Mimicry as Movement Analysis 7.2 2019
    Àiná, David Tonal Counterpoint Revisited: From Yorùbá Pop to American Hip-Hop 9.2 2021
    Bauer, Amy Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis” 8.2 2020
    Bayraktarkatal, Ertuğrul and Cenk Güray PROPOSING A MAKÂM MODEL BASED ON MELODIC NUCLEI 11.1 2023
    Browner, Tara Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis” 8.2 2020
    Burnett, Henry Response to Professor Loeb 2.1 2012
    Burnett, Henry Voice-Leading Considerations in Edo-Period Jiuta-Tegotomono: A New Analytical Approach 1.2 2011
    Burns, James Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis” 8.2 2020
    Carter-Ényi, Aaron Tonal Counterpoint Revisited: From Yorùbá Pop to American Hip-Hop 9.2 2021
    Chiarofonte, Lorenzo Do Ko Gyi Kyaw: Analyzing the Interactions between Rhythms, Melodies, and Sonic Structures of a Burmese Spirit Song Performance 9.1 2021
    Clarke, David On Not Losing Heart: A Response to Savage and Brown’s “Toward a New Comparative Musicology” 3.2 2014
    Clements, Carl Tradition and Innovation in the Bānsurī Performance Style of Pannalal Ghosh 1.2 2011
    Cooper, Alec Micro-temporal Interactions in Sitar and Tabla Duo Performance: An Analysis of a Vilambit Performance by Pt. Nikhil Banerjee and Zamir Ahmed Khan 7.1 2019
    Diaz, Juan Diego and Alex Rossi Singing in Tune: Berimbau Tuning and Song Mode in Capoeira (1937–1978)  12.1 2024
    Diaz, Juan Diego Experimentations with Timelines: Strategies of Rhythmic Complication in Afro-Bahian Jazz  6.1 2017
    Dor, George Worlasi Kwasi Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis” 8.2 2020
    Ferlaino, Christian Generative principles of dance music in Central Calabria 7.1 2019
    Field, Garrett

    Musical Improvisation and Elegant Writing: Ālāpana in South Indian Karnatak Music Performed by U. Srinivas

    11.2 2023
    Field, Garrett Improvising Rhythmic-Melodic Designs in South Indian Karnatak Music 6.2 2018
    Fossum, David Principles of Transmission and Collective Composition in Turkmen Dutar Performance 5.2 2017
    Garzoli, John The Myth of Equidistance in Thai Tuning 4.2 2015
    Gerstin, Julian Comparisons of African and Diasporic Music: The Ewe, Cuba, and Martinique 5.2 2017
    Goldberg, Daniel What’s the Meter of Elenino Horo?
    Rhythm and Timing in Drumming for a Bulgarian Folk Dance
    7.2 2019
    Grauer, Victor Toward a New Comparative Musicology: Some Comments on the Paper by Savage and Brown 3.2 2014
    Gray, Nicholas Reflections on Composing for Balinese Gendér Wayang: The Birth of Kala 2.2 2013
    Hafizi, Bardia Rhythmic Texture of Iranian Music: A Performance Analysis of Mahoor Tasnif by M. Tabrizi-zadeh and Dj. Chemirani 11.1 2023
    Hesselink, Nathan Cross-Cultural Resonance in the Cadential Hemiola 10.1 2022
    Hijleh, Mark Review of Michael Church, ed., The Other Classical Musics: Fifteen Great Traditions (Boydell and Brewer, 2015) 5.1 2016
    Hynes-Tawa, Liam Tonic, Final, Kyū: Tonal Mappings in the Meiji Period and Beyond 9.1 2021
    Iyer, Rohan Interpretations of Melodic Framework and Instrumental Idiom in a Metrically Fluid Piece of Central Javanese Music Performed on a Busking Zither 10.2 2022
    Jankowsky, Richard C. Rhythmic Elasticity and Metric Transformation in Tunisian Sṭambēlī 3.1 2013
    Jiménez de Cisneros Puig, Bernat Discovering Flamenco Metric Matrices through a Pulse-Level Analysis 6.1 2017
    Johnston, Jeryl

    Variation Techniques in Four West African Lead Drumming Examples: A Comparative Study

    11.2 2023
    Justus, Timothy, et. al. Remembering Melodies from Another Culture: Turkish and American Listeners Demonstrate Implicit Knowledge of Musical Scales 7.1 2019
    Kan, Joshua Ching Yuet Hong Kong Christian Songwriters’ Dilemma: Juggling Sacred Music, Tonal Language, and Christian Faith 11.1 2023
    Keogh, Brent Between Theory, Representation, and Practice of Maqām: Rethinking the Representation of the Arabic Maqāmāt 3.2 2014
    Killick, Andrew Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis 8.2 2020
    King, John Neo-Riemannian Theory and the Melakarta 11.1 2023
    Kirilov, Kalin Petar Ralchev’s “Bulgarian Suite”: Explorations of Asymmetry, Modality, and Metrical Dissonances 9.1 2021
    Klein, Amit Changing Performance Styles of Twentieth Century Ashkenazi Cantorial Recitatives 3.2 2014
    Law, Ho Chak Redefining Musical Creativity: The Pipa Solo Tradition in Republican China and During the Mao Era 10.2 2022
    Lawson, Francesca and Shawn Nissen The Significance of the Vocal Signature in Chinese Narrative Performance: A Look at Pitch and Duratin Using Praat Acoustic Analysis Software 6.1 2017
    Li, Edwin K. C., Aaron Carter-Ényì, and David Àìná Call-and-Response Form in Ewe Agbadza Songs: Subtle Variety of a Common Practice 3.1 2013
    Locke, David Towards a Cross-Cultural Theory of Tone-Tune Mapping: A Comparative Study of Cantonese and Yorùbá 12.1 2024
    Locke, David Let It Be Called “Comparative Ethnomusicology” 3.2 2014
    Locke, David The Metric Matrix: Simultaneous Multidimensionality in African Music 1.1 2011
    Loeb, David A Response to Professor Burnett 2.1 2012
    Lwanga, Charles Bridging Ethnomusicology and Composition in the First Movement of Justinian Tamusuza’s String Quartet Mu Kkubo e ry’Omusaalaba 3.1 2013
    Malin, Yonatan Ethnography and Analysis in the Study of Jewish Music 7.2 2019
    Malin, Yonatan Introduction to the Special Issue on Ethnography and Analysis 7.2 2019
    Manuel, Peter and Brian Bond Rāgs of Western India and Sindh 10.2 2022
    McGraw, Andrew Preliminary Remarks on a Helical Representation of Time 2.2 2013
    McGraw, Andrew, with Christine Kohnen The Byar: An Ethnographic and Empirical Study of a Balinese Musical Moment 5.1 2016
    Mills, Simon “Release Hitting”: An Analytical Study Commemorating the Artistry of the South Korean Shaman Musician Kim Yongt’aek 8.1 2020
    Mills, Simon and Sung-Hee Park Everyday Temple Chant in South Korean Chogye Sect Buddhism: An Analytical Study of the Personal Styles Cultivated by Monks 10.1 2022
    Mirelman, Sam Tuning Procedures in Ancient Iraq 2.2 2013
    Morris, Robert Tana Varnam-s: An Entry into Raga Delineation in Carnatic Music 1.1 2011
    Morris, Robert Recent Developments Coordinating Melody and Harmony 11.1 2023
    Mukherji, Somangshu From Bernstein to Bhatkhande: (Indian and Other) Music as the Universal Language 11.1 2023
    Ozah, Marie Agatha, HHJC Building Bridges between African Traditional and Western Art Music: A Study of Joshua Uzoigwe’s Egwu Amala 3.1 2013
    Pacciolla, Paolo The Brimming Vessel: An Analysis of the Ritual Repertoire of the Miḻāvu from a Tantric Perspective 9.1 2021
    Peiris, Eshantha Vocal Models and Musical Rhtyhm in Central Sri Lanka 10.1 2022
    Peiris, Eshantha Changing Conceptualizations of Rhythm in Sri Lankan Up-Country Percussion Music 6.2 2018
    Pohlit, Stefan Julien Jalâl Ed-Dine Weiss: A Novel Proposal for the Middle Eastern Qānūn 2.1 2012
    Pohlit, Stefan Makam and Beyond: A Unified Theory in Julien Jalâl Ed-Dine Weiss’s Last Composition 8.1 2020
    Poole, Adrian Timing and Groove in the Performance of Cuban Bass and Conga Patterns 10.2 2022
    Poorhaydari, Kioumars Empirical Evaluation of Intervals and Fretting Systems in Persian Art Music 11.2 2023
    Prahlad, Achintya Quantifying Alpatva (Scarcity) and Bahutva (Abundance): A Comparative Study of the Scale-identical Hindustānī Rāgas Bhūpālī and Deskār 11.1 2023
    Priore, Irna, and Chris Stover The Subversive Songs of Bossa Nova: Tom Jobim in the Era of Censorship 3.2 2014
    Racanelli, David Formulaic Variation Procedures in Mande Griot (Jeli) Guitar Playing and Improvisation 2.1 2012
    Rahn, Jay Coordinating Analyses of Tuning with Analyses of Pieces 5.1 2016
    Rahn, Jay The Hurrian Pieces, ca. 1350 BCE: Part One—Notation and Analysis 1.1 2011
    Rahn, Jay The Hurrian Pieces, ca. 1350 BCE: Part Two—From Numbered Strings to Tuned Strings 1.2 2011
    Rahn, Jay Response to Mirelman: Orality and Aristoxenus; Pedagogy and Practice 3.2 2014
    Rehding, Alexander The Dream of a Universal Notation: An Appreciation 8.2 2020
    Reindl, Tomáš Indian Rhythmic Systems as Sources of Inspiration for Western Composers 11.2 2023
    Robison, John O.  John Mayer’s “Pawitra Naukari” (A Sacred Service): In God’s Eyes, We Are All Equal 11.2 2023
    Roeder, John Timely Negotiations: Formative Interactions in Cyclic Duets 7.1 2019
    Roeder, John Fluctuant Grouping in a Silk-and-Bamboo Melody 1.2 2011
    Savage, Patrick E., and Steven Brown Toward a New Comparative Musicology 2.2 2013
    Savage, Patrick E., Emily Merritt, Tom Rzeszutek, and Steven Brown CantoCore: A New Cross-Cultural Song Classification Scheme 2.1 2012
    Schachter, Michael Andrew Killick’s “Global Notation” and the Paradox of Universal Specificity 8.2 2020
    Scherzinger, Martin Fractal Geometries of an African Music 3.1 2013
    Shuster, Lawrence Global Musical Possibilities: An Interview with Composer-Theorist Robert Cogan 4.2 2015
    Simon, Amy D. Shakuhachi honkyoku: Motivic Analysis of Sokaku Reibo 5.2 2017
    Stephens, John The Microtones of Bharata’s Natyashastra 6.1 2017
    Stover, Chris Contextual Theory, or Theorizing between the Discursive and the Material 7.2 2019
    Sykes, Jim South Asian Drumming Beyond Tala: The Problem with “Meter” in Buddhist Sri Lanka 6.2 2018
    Sykes, Jim On the Sonic Materialization of Buddhist History: Drum Speech in Southern Sri Lanka 6.2 2018
    Szczepanski, Beth Impossible Melodies: Octave Cycles and Illusory Pitch Shifts in a North Chinese Wind Repertoire 4.1 2015
    Tallotte, William Meaningful Adjustments: Musical Performance and Ritual Action in a South Indian Temple 4.1 2015
    Tanprasert, Teerapaun and Joti Rockwell Sounding Thai: Instrumental Translation, Language-Melody Correlation, and Vocal Expressivity in Thai Sakon Music from the 2010s 9.2 2021
    Tarsi, Boaz Uncovering the Music Theory of the Ashkenazi Liturgical Music: “Adonai Malach” as a Case Study 8.2 2020
    Tenzer, Michael Global Notation: Swapping Freedoms 8.2 2020
    Tenzer, Michael Temporal Transformations in Cross-Cultural Perspective: Augmentation in Baroque, Carnatic, and Balinese Music 1.1 2011
    Toussaint, Godfried T. The Pairwise Variability Index as a Measure of Rhythmic Complexity 2.2 2013
    Toussaint, Godfried T. Quantifying Musical Meter: How Similar Are African and Western Rhythm? 4.2 2015
    Toussaint, Godfried T., Malcolm Campbell, and Naor Brown Computational Models of Symbolic Rhythm Similarity: Correlation with Human Judgments 1.2 2011
    Tse, Chun-Yan and Chun-Fung Wong Metrical Structure and Freedom in Qin Music of the Chinese Literati 8.2 2020
    Vitale, Wayne and William Sethares Balinese Gamelan Tuning: The Toth Archives 9.2 2021
    Weiss, Sarah Analyzing Javanese Grimingan: Seeking Form, Finding Process 1.1 2011
    Wells, Robert Theorizing Trikāla: A Generalized Intervallic Approach to Pulse Transformation in South Indian Carnatic Music 8.1 2020
    Wey, Yannick Transformations of Tonality: A Longitudinal Study of Yodeling in the Muotatal Valley, Central Switzerland 8.1 2020
    Widdess, Richard From Staff to Global: A Response to Killick 8.2 2020
    Widdess, Richard Implicit Rāga Knowledge in the Kathmandu Valley 1.1 2011
    Williams, Duncan A Short Cross-Analysis of Brazilian Capoeira and Thai Sarama Music and Shared Ritual Practices 4.1 2015
    Zadeh, Chloe Formulas and Building Blocks of Ṭhumrī Style: A Study in “Improvised” Music 2.1 2012
    Zagalaz, Juan Paco de Lucía and Jazz: Melodic-Harmonic Improvisation as a Central Element in “Zyryab” (1990) 10.2 2022
    Ziporyn, Zhoushu Linguistic-Syllabic Cognitive Mapping of Sound in Japanese Culture, Interpreted through Japanese Gagaku Music 10.1 2022

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